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Books and articles
Arnar, AS. 2011. The Book as Instrument: Stéphane Mallarmé, the Artist’s Book, and the Transformation of Print Culture. Chicago: University Of Chicago Press.
Bakhtin, M. 1981. The Dialogic Imagination: Four Essays. Austen: University of Texas Press.
Baudrillard, J. 1994. The System of Collecting in The Cultures of Collecting. J. Elsner and R. Cardinal, eds. Cambridge Massachusetts: Harvard University Press, 7-24.
Benjamin, W. 1968. Unpacking My Library in Illuminations: Essays and Reflections. New York: Schocken Books, 59-67.
Berman, K. 2017 (forthcoming). Finding Voice: A visual arts approach for engaging social change. Michigan: University of Michigan Press.
Beube, D. 1996. Hollow Words. Self-publication.
Bhabha, HK. 1994. The Location of Culture. London: Routledge.
Bostad, F., C. Brandist, LS. Evensen and HC. Faber, eds. 2004. Bakhtinian Perspectives on Language and Culture: Meaning in Language, Art and New Media. Houndmills, Basingstoke: Palgrave MacMillan.
Broodthaers, M. 1969. Un Coup de Dés Jamais N’Abolira le Hasard. Antwerp: Wide White Space Gallery.
Calderhead, C. 2011. Art & Protest: The political art of Joan Iversen Goswell. Letter Arts Review 25 (1): 16-31.
Castleman, R. 1994. A Century of Artists Books. New York: The Museum of Modern Art.
Cendrars, B. 1914. Kontraste, Gleichzeitigkeit, Form Die Aktion. 17 March: 257. Translated into French in Delaunay 1906-1914: De l’impressionnisme à l’abstraction.
Cendrars, B. 1914. Letter to Sonia and Robert Delaunay. Inédits Secrets, January: 373.
Chartier, R. 1994. The order of books: readers, authors, and libraries in Europe between the fourteenth and eighteenth centuries. Cambridge: Polity Press.
Cooney, J. 2004-05. Aldus Society Notes. 5(2):6.
De Freitas, MT., C. Leroy and E. Nogacki, eds. 2002. Cendrars et les arts. Valenciennes: Presses Universitaires de Valenciennes.
Delaunay, S. 1978. Nous irons jusqu’au soleil. Paris: Éditions Robert Laffont.
Deleuze, G. 1989. Cinema 2: The Time-Image. Trans. H Tomlinson and R Caleta. London: Athlone.
Deleuze, G. and F. Guattari. 1993. A Thousand Plateaus. Minneapolis: University of Minnesota Press.
Dietrich, KH. 2011. Intersections, Boundaries and Passages: Transgressing the Codex. Inaugural lecture. Stellenbosch: Stellenbosch University.
Diggory, T. 2013. Encyclopedia of the New York School Poets. New York: Infobase Learning.
Drucker, J. 1995. The Century of Artists’ Books. New York: Granary Book.
Drucker, J. 1998. Figuring the Word: Essays on Books, Writing and Visual Poetics. New York: Granary Books.
Eco, U. 2005. The Name of the Rose. Translated from the Italian by William Weaver. London: Vintage.
Emerson, M. 2008. Hybrid Histories in Contemporary Artist Books: “Codex Espangliensis and Doska Pocheta”. Art Institute of Chicago Museum Studies 34(2):60-62.
Finger, A., R. Guldin and G. Bernardo. 2011. Vilém Flusser. An Introduction. Electronic Mediations 34. Minneapolis: University of Minnesota Press.
Flusser, V. 1984. Towards a Philosophy of Photography. Göttingen: European Photography.
Flusser, V. 2000. Towards a Philosophy of Photography. Clerkenwell, London: Reaktion Books.
Flusser, V. 2002. Writings. Electronic Mediations 6, translated by Erik Eisel. Minneapolis: University of Minnesota Press.
Foucault, M. 1970. The Order of Things: An Archaeology of the Human Sciences, London: Routledge.
Foucault, M. 1984. Des espaces autres [Of other spaces], Architecture, Mouvement, Continuité 5:46-49. Translated by Jay Miskowiec in Diacritics 16(1) (Spring, 1986): 22–27.
Friedman, H. 1997. Battle of the book. Mail & Guardian, January 24 to 30: 29.
Hammer, J. 2016. The Bad-Ass Librarians of Timbuktu and their race to save the world’s most precious manuscripts. New York: Simon & Schuster.
Hampton, M. 2015. Unshelfmarked: Reconceiving the Artist Book. Devon, UK: Uniformbooks.
Horkheimer, M and T. Adorno. 2002. `The Concept of Enlightenment, in Dialectic of Enlightenment, edited by G. S. Noerr, translated by E. Jephcott: Stanford: Stanford University Press.
Hubbard, P. and R. Kitchin, eds. 2010. Key Thinkers on Space and Place. New Delhi: Sage.
Hughes, G. 2007. Envisioning Abstraction: The Simultaneity of Robert Delaunay’s First Disk. Art Bulletin. 89(2):306-332.
Kac, E. 2004. Negotiating Meaning: the Dialogic Imagination in Electronic Art. In Bostad, F., C. Brandist, LS. Evensen and HC. Faber, eds. Bakhtinian Perspectives on Language and Culture: Meaning in Language, Art and New Media. Houndmills, Basingstoke: Palgrave MacMillan: 199–216.
Lafon, M-H and J-C. Loubières. 2003. Quand on lit = When you read. Paris: Adéléo éditions.
Langerman, F. 2014. Cover to cover: the contribution of the book to the reproduction of linear, hierarchical models of natural history, in C. Hamilton and P. Skotnes. Uncertain curature: in an out of the archive. Cape Town: Jacana.
Lessing, GE. 1874. Laocoon. Translated by R. Philimore. London: Macmillan.