Research
David Paton
SOUTH AFRICAN ARTISTS’ BOOKS AND BOOK-OBJECTS SINCE 1960
Extracts from a dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in Fine Art.
Johannesburg 2000
Dissertation downloads
David Paton
THE SOUND OF A BOOK: SOUND AS GENERATOR OF NARRATIVE IN THE RECEPTION OF SELECTED NEW MEDIA OBJECTS AS BOOKS
An article published in Image & Text, 2007 Number 13. ISSN 1020 1497.
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Robyn Sassen
UNDER COVERS: SOUTH AFRICA’S APARTHEID ARMY – AN INCUBATOR FOR ARTISTS’ BOOKS
An article published in The Blue Note Book: Journal for Artists' Books, CFPR, University of the West of England, Bristol, UK, Volume 3, Number 1, Ocober 2008. ISSN 1751-1712 (print) 1751-1720 (online).
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David Paton
BODY, LIGHT, INTERACTION, SOUND: A CRITICAL READING OF A RECENT INSTALLATION OF WILLEM BOSHOFF'S KYKAFRIKAANS
An article published in Image & Text, 2008 Number 14. ISSN 1020 1497.
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Ian Marley, Franci Greyling & Louisemarie Combrink (NWU)
TRANSGRESSIONS AND BOUNDARIES OF THE PAGE
A press release of the project and its associated exhibitions
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David Paton
IDEOLOGIES AND IDENTITIES IN DIGITAL ARTISTS’ BOOKS: PARALLELS BETWEEN CHARLES SANDISON’S CARMINA FIGURATA AND WILLEM BOSHOFF’S KYKAFRIKAANS
A paper read at the conference Imaging Ourselves: Visual Identities in Representation, University of Johannesburg, Faculty of Art, Design and Architectures Research Centre, Visual Identities in Art and Design, Friday 15 June 2009.
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David Paton
THE IMAGISTIC TEXT IN JONATHAN SAFRAN FOER: TRACING UNCONVENTIONAL TEXTS FROM KEROUAC TO THE ARTIST’S BOOK
An article developed from a paper read at the SAVAH conference The Politics of Change: Looking backwards and forwards, University of Pretoria, Department of Visual Arts, 10 – 11 July 2009.
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